TALES FROM THE DOLLHOUSE

DIGITAL DREAMS

In 2021, Tangpoko stepped into Decentraland and flipped the script, sparking the DCL Babydolls—the metaverse’s first virtual influencer crew—and the Dollhouse, a neon-drenched hub that became the Studio 54 of this digital realm. What began as a single wearable grew into a movement about connection, creativity, and carving out a space where artists, everyday folks, and major brands could collide in a dream life. With wild parties, deep friendships, a dash of drama, and a chapter now closed, this is the tale of how a crew turned players into creators—and why its echo still matters.

The Pink Babydoll Dress: Filling a Void
The story kicked off in December 2021 with the Pink Babydoll Dress, a creation born from Tangpoko’s frustration with Decentraland’s lackluster clothing options for female avatars. Back then, the choices were slim—pirate hats and monster masks dominated, and flair was nowhere to be found. This frilly, ultra-feminine wearable wasn’t just a design; it was a rebellion, a call for more. It rallied a squad—Emm, Bubblegum, Serryn, JK46, Fermion, Father Fin (plus originals ManaWitch, Canessa, Lyss, and Bexx)—forming the DCL Babydolls, the first virtual influencers to shake up the metaverse. That dress became their banner, signaling a community ready to stand out and build something real.

The Dollhouse: Nightly Chaos and Champagne
By February 2022, the Dollhouse emerged as the Babydolls’ playground—a virtual nightclub that pulsed every night of the week, earning its Studio 54 crown. Up top sat a pink champagne hot tub, where the crew would soak under digital stars, plotting the next big bash. Parties were relentless—”Throwback Thursday” spun retro jams, while other nights brought spaceships swooping down to abduct dancers or theme raves where everyone rocked white or animal costumes, wild and untamed. Festivals lit up the calendar, with Art Week and Music Week showcases, plus the International Dollhouse Experience—a month-long collab with Babes Only and Mixcloud that amplified female DJs and NFT artists. Hundreds, like Baby Yors and Mia Gladstone, played their first virtual sets here, turning the space into a launchpad for talent and a testament to empowerment.

Masters of the Social Scene
The DCL Babydolls didn’t just throw parties—they owned the social game, ruling X with a steady stream of content via DCLBabyDolls. Event teasers, behind-the-scenes shots, and playful updates kept the buzz alive, while giveaways—exclusive wearables, party passes—had fans clamoring for more. Selfie contests stole the show, with players snapping Dollhouse looks in whatever wild theme the night demanded, flipping fans into creators. Tangpoko’s own X (@tangpoko) tied it together, her consistent brand— playful but purposeful—threading through every post and event. This wasn’t luck; it was strategy, keeping the community tight and the energy soaring.

Laying a Chapter to Rest
The Dollhouse threw its final party in summer 2024—a blowout that capped years of chaos and champagne. Those nightly raves, spaceship abductions, and animal-costume nights faded into memory, but the friendships held strong. The Babydolls and their hub showed what virtual worlds could do—empower artists, link brands to fans with real depth, and let regular folks step into their own spotlight. It was the Studio 54 of the metaverse—glam, messy, unforgettable. As this chapter closes, the legacy isn’t just in the parties; it’s in the bonds, the buzz, and the proof that connection can defy any boundary, digital or not.

The Dream Team
Dollhouse was powered by a standout lineup:

  • Emm: Social media powerhouse, girl boss vibes.
  • Bubblegum: The spark who kept spirits high.
  • Serryn: Mystery girl and fashion icon.
  • JK46: The creative whirlwind pushing boundaries.
  • Fermion: Smart but sweet, the most loyal friend of all.
  • Father Fin: Our moral compass grounding the crew.
  • And a nod to the OGs—ManaWitch, Canessa, Lyss, and Bexx